- 2015 Info Day
- Areas of Study
- Our Degrees
- How to Apply
- Audition Dates & Costs
- Continuing Professional Development (CPD)
- Entry Requirements
- Estivo: European Chamber Music Summer School
- Fairweather Family Prize for Student Composers
- Audition Requirements
- Open Day 2014
- Asia Live Auditions 2014/2015
- Conservatorium Open Academy
Most students at the Sydney Conservatorium of Music will study under the guidance of musicology staff in subjects such as music history, music analysis, music skills and research methods, with elective units of study offered by musicology area staff in a variety of topics ranging from early music to contemporary art music and popular music. Students may also specialise in musicology at both the undergraduate and postgraduate levels.
Our staff include researchers in a wide range of areas including historical musicology, ethnomusicology, empirical musicology, popular music studies and more. We are active in publishing research in books and journals, participating in and organizing local, national and international conferences and symposia, offering musicological expertise to the broader community and more. Find out more about our staff by following the links below.
- Musicology Colloquium Series
- Sydney Undergraduate Journal of Musicology
- 14 June 2013 – Musical Manuscripts and their Legacies: A Symposium in Honour of Jane Morlet Hardie
- 23 November 2013 – Raymond Hanson Centenary Symposium and Concert
- Bachelor of Music (Musicology) – Course Structure | Apply Now
- Bachelor of Music (Music Education) – Course Structure | Apply Now
- Bachelor of Music Studies – Course Structure | Apply Now
- Bachelor of Music Studies / Bachelor of Arts – Course Structure | Apply Now
- Bachelor of Music Studies / Doctor of Medicine – Course Structure | Apply Now
- Master of Music (Musicology) – Course Structure | Apply Now
- Doctor of Philosophy (PhD) – Course Structure | Apply Now
- Professor Linda BARWICK - Associate Dean (Research)
- Ms Rachel CAMPBELL - Associate Lecturer in Musicology
- Emeritus Professor Richard CHARTERIS - Professor in Historical Musicology
- Dr Christopher COADY - Lecturer in Musicology
- Mr Lewis CORNWELL - Deputy Chair in Musicology Unit; Lecturer in Musicology
- Dr Joanna DRIMATIS - Casual Lecturer in Musicology
- Dr Charles FAIRCHILD - Senior Lecturer in Popular Music and Chair of Arts Music Unit
- Mr Anthony JONES - Casual Lecturer in Musicology
- Miss Megan LANG - Casual Lecturer in Baroque and Classical Flute
- Dr David LARKIN - Lecturer in Musicology
- Dr Karen LEMON - Casual Lecturer in Musicology
- Dr Alan MADDOX - Lecturer in Musicology
- Dr Peter MCNAMARA
- Dr Helen MITCHELL - Senior Lecturer
- Associate Professor Kathleen NELSON - Chair of Musicology Unit and Director of Higher Degree Research
- Mr Jason NOBLE - Casual Lecturer in Musicology
- Professor Anna REID - Head of School and Associate Dean (Teaching and Learning)
- Mr Peter SMITH - Casual Lecturer in Musicology
- Dr Joseph TOLTZ - Honorary Research Associate
- Dr Michael WEBB - Senior Lecturer and Chair of Music Education Unit
- Dr James WIERZBICKI
Bachelor of Music (Musicology), Bachelor of Music (Music Education), Bachelor of Music Studies and combined degrees
Music Skills Test
Since prior music skills development is essential for successful study at the Sydney Conservatorium, the Music Skills Test must be completed. The test is held at the Conservatorium during the audition/interview period and is designed to assess whether you have a sufficient level of music literacy in harmony and aural perception to cope with the demands of the course. As a guide, the minimum level of skills possessed should be at the level of the New South Wales Music 2 syllabus (formerly 2 Unit Music) or AMEB Level 6 Musicianship or equivalent. Results of the Music Skills Test supplement the information provided by other aspects of the audition process. If you are successful, the results also help to determine streaming in aural and harmony subjects.
You should submit an example of your recent written work prior to the audition closing date in preparation for the interview. You will then be invited to attend an interview to discuss your interest in musicology and your commitment to musical research. On the basis of the written work and the interview, the Conservatorium will assess your suitability for the course here, and your potential to become a music researcher, whether as a professional musicologist or in a related profession such as teaching, music administration or music journalism.
Your sample of written work should demonstrate your ability to write in a reasonably formal style, to synthesise the work of others and, ideally, to contribute your own ideas to the discussion. You may, for example, submit a final year school essay, or choose to create something new. A music-related topic is preferred.
Musicology essays must be submitted at the time of application (no exceptions), and each work submitted must include your UAC application number and your name. Essays must be posted or hand delivered to:
Sydney Conservatorium of Music
Level 3, Room 3012
Cnr Bridge & Macquarie Streets
Sydney NSW 2000
Musicology essays will be retained by the Conservatorium until 31 March 2014. If you wish to collect your essays, please do so before this date or they will be discarded. Essays can be collected from Student Administration. We are not able to return essays by mail.
For more information about the submission and interview requirements for musicology, please contact Dr Kathleen Nelson, Chair of Musicology.
You must present a 1500-2000 word summary of your proposed area of research. Musicology staff will then invite you to an interview to discuss your interest in musicology and your commitment to musical research. On the basis of the written work and the interview, the Conservatorium will assess your potential to undertake musical research at a basic professional level. For more information about the submission and interview requirements for musicology, please contact Dr Kathleen Nelson, Chair of Musicology.